In 2004 I started my first dramaturgical collaboration with Jan Fabre. I had been following his work already for years, fascinated as I was by his daring radicality on stage. This fascination was certainly linked to how he was dealing with sexuality, amongst others....
Dear Troubleyn/Jan Fabre, it was in Greece, nine and a half years ago, that I watched your work for the first time. Jan Fabre was at the sound control, with his team; he has almost always been at the sound control in performances that I have watched since then. It was...
