With this testimony, I want to emphasize the importance of the whole company of Troubleyn/Jan Fabre, its creation processes, the acting methods of the Jan Fabre Teaching Group and of course the theatrepieces that are being made. It is not to be overseen in the art...
I’ve worked with Jan in 1984. I was a member of the original cast of ‘The power of the theatrical madness’. It was only for 12 months that I worked with Jan, because I was always in a hurry, didn’t want to stay to long at one place.But it was a...
20 years ago I first met Jan Fabre. A great artist and a pivotal creator in theater. No doubt, without the figure of Jan Fabre, contemporary theater would be different due his immense influence in this field. His performances are obviously not about a world of pink...
I used to work for Jan Fabre from 1986 ’till 1991, during this period of my employment as a dancer I never had or seen anything that was not professional or unethical from Jan Fabre. It was always about work.During my stay with the company I have learned so much...
I started working for Jan Fabre/Troubleyn in 2000, as a replacement for an actor/musician for the performance ’As long as the world need a warriors soul’. My first impression of Fabre, as a director, was that he was very straightforward. Somebody who knew extremely...
