I’ve worked with Jan in 1984. I was a member of the original cast of ‘The power of the theatrical madness’. It was only for 12 months that I worked with Jan, because I was always in a hurry, didn’t want to stay to long at one place.But it was a...
20 years ago I first met Jan Fabre. A great artist and a pivotal creator in theater. No doubt, without the figure of Jan Fabre, contemporary theater would be different due his immense influence in this field. His performances are obviously not about a world of pink...
I used to work for Jan Fabre from 1986 ’till 1991, during this period of my employment as a dancer I never had or seen anything that was not professional or unethical from Jan Fabre. It was always about work.During my stay with the company I have learned so much...
I started working for Jan Fabre/Troubleyn in 2000, as a replacement for an actor/musician for the performance ’As long as the world need a warriors soul’. My first impression of Fabre, as a director, was that he was very straightforward. Somebody who knew extremely...
Le travail avec la compagnie Troubleyn, le travail avec Jan Fabre, Jan Fabre lui-même, me manquent.Lorsque nous sortons de Troubleyn, je dis « nous » volontairement, nous sommes membres d’une « famille ».Ce mot peut revêtir un sens péjoratif comme réjouissant en...
I would like to share my own feelings and experience of my journey in Troubleyn with Jan Fabre from 2016 until present. I will focus this letter on purely my beliefs of why I think the company deserves to continue. Through the work and my progress, I will explain a...
